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Moog Grandmother takeoff

Recently, I purchased a Moog Grandmother after dreaming about owning one for years. When it was first released, there was a lot of hype about it’s capabilities, built-in arpeggiator, incredible spring reverb, and semi-modular functionality. The Grandmother was a price point accessible synthesizer for all skill levels without cutting any corners, and I’m here to say, it has really stood up to it’s reputation. At first glance you can’t miss the slick retro look and 41 patch points covering the front panel, but digging deeper you find a well crafted keyboard with great response, a sustain fader for peak control, and lots of options for creating your truly unique sound. There are no presets on this synthesizer only relatively limitless options for discovery and exploration. I took some time to record a couple tracks in Ableton to see what the synth sounds like mixed together, and it did not disappoint!

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Moog Sirin solo

I’ve been working on a new song using the Moog Sirin and wanted to share how much I enjoy this analog synthesizer. It is truly an Analog Messenger Of Joy that produces a rich, bold sound, while still being compact and portable. The Sirin’s unique voice sings over other tracks, making it a great choice for that ripping solo! There’s a common misconception that expensive hardware is better, but we shouldn’t forget about finding that sweet spot, where price and quality meet. The Moog Sirin is a great example of when a high quality analog synthesizer becomes more accessible to the average musician. I’m also thankful for the great customer support I received from Moog when I needed to install wood panels. This synth is everything I’d hoped for, and I couldn’t be happier.