For this video Moog Rumba I wanted to try something different then what I’ve done in the past. Recently I updated to Ableton Live 11 and I thought it would be cool to try some afro-cuban rhythms that have always been a big influence on me in music. I decided to try a rumba inspired beat on the DFAM and see how it goes, since there are only eight steps in the sequence I went with a half time version. I might try using the Mother-32 next time for the beat because it would give me more room to work with, but I figured this was a start. I’m happy with how the sound turned out the Subharmonicon, Matriarch, and Grandmother blended nicely with the other semi-modular synthesizers; it really gave the whole song a different feel. I look forward to trying more of these great rhythmic patterns in the future. Check out my other videos here!
I recently purchased a new Moog Matriarch for my home studio and couldn’t wait to make a video showing off this amazing piece of hardware. The synthesizer really lives up to the hype, there are so many endless possibilities figured I needed to start somewhere. This performance uses a Am7 Fmaj7 Dm7 Cmaj7 chord progress on the Matriarch. Then I combined the DFAM, Subharmonicon, and Mother-32 for some backing on the track. On the Mother-32 I did a simple sequence in Am7 and then had the Subharmonicon play a 64-step progression of 16-steps root notes A F D C. Lastly I used the Grandmother for the lead melody and solo which gave me the ability to perform it live. Thanks for checking out this video looking forward to creating many more. If you have any questions please post them in the comments below and I’ll respond when I can!
Thought this would be a cool sound to try out with a live performance video. The Moog Minitaur was the first synthesizer I owned. When I got a Moog Sirin I thought of trying to create paraphonic sound by sending midi to both from the M-Audio midisport 4×4 interface and recording the audio. This combination created a really awesome harmonizing sound that could be modulated or tweaked. In addition I patched up my Grandmother with the semi-modular trio Moog DFAM, Subharmonicon, and Mother-32 then midi synched with Ableton Live 10. Hope you enjoy this duet as much as I do, check out some of my other videos here!
Setup the 3-tier rack for the Moog Mother-32, Subharmonicon, and DFAM. Thought I’d make a video of my first patch with all of them linked together in their new home. Included the Minitaur for some solid bass and the Grandmother for the sweet lead line. A lot of fun for my first recording, can’t wait to make more with this improved setup.
Recently acquired a Moog Moogerfooger MF104-M Super Delay from a seller on Reverb. This is a dream come true for me, I have been looking for this pedal for quite awhile now, I couldn’t past up the opportunity when I saw one available. Thought I would test it out with the Grandmother and I am thrilled with how great the two sound together. This was a good investment.
Recently, I purchased a Moog Grandmother after dreaming about owning one for years. When it was first released, there was a lot of hype about it’s capabilities, built-in arpeggiator, incredible spring reverb, and semi-modular functionality. The Grandmother was a price point accessible synthesizer for all skill levels without cutting any corners, and I’m here to say, it has really stood up to it’s reputation. At first glance you can’t miss the slick retro look and 41 patch points covering the front panel, but digging deeper you find a well crafted keyboard with great response, a sustain fader for peak control, and lots of options for creating your truly unique sound. There are no presets on this synthesizer only relatively limitless options for discovery and exploration. I took some time to record a couple tracks in Ableton to see what the synth sounds like mixed together, and it did not disappoint!