Posted on

Moog Rumba

For this video Moog Rumba I wanted to try something different then what I’ve done in the past. Recently I updated to Ableton Live 11 and I thought it would be cool to try some afro-cuban rhythms that have always been a big influence on me in music. I decided to try a rumba inspired beat on the DFAM and see how it goes, since there are only eight steps in the sequence I went with a half time version. I might try using the Mother-32 next time for the beat because it would give me more room to work with, but I figured this was a start. I’m happy with how the sound turned out the Subharmonicon, Matriarch, and Grandmother blended nicely with the other semi-modular synthesizers; it really gave the whole song a different feel. I look forward to trying more of these great rhythmic patterns in the future. Check out my other videos here!

Moog Rumba
Posted on

Moog Subharmonicon Patch

Writing a new song using the Moog Subharmonicon and Grandmother. I watched a video from the Moog Demo Library yesterday and learned a simple patch. It allows Sequencer 2 to control Voltage Oscillator 1 in addition to Sequencer 1. This patch expands the Subharmonicon’s functionality by combing the two sequencers to control the instruments pitch. I modified it a little though by not using the eighth-note equal-tempered scale so I could pick the exact pitches I want. Also I turned both of my Sub-Oscillators to fifty percent. A patch like this is great for extending the sequencers length on the Subharmonicon, and I really enjoy what it has added to the song! If you like this video check out some of my other ones here.

Moog playlist

Posted on

Moog Grandmother takeoff

Recently, I purchased a Moog Grandmother after dreaming about owning one for years. When it was first released, there was a lot of hype about it’s capabilities, built-in arpeggiator, incredible spring reverb, and semi-modular functionality. The Grandmother was a price point accessible synthesizer for all skill levels without cutting any corners, and I’m here to say, it has really stood up to it’s reputation. At first glance you can’t miss the slick retro look and 41 patch points covering the front panel, but digging deeper you find a well crafted keyboard with great response, a sustain fader for peak control, and lots of options for creating your truly unique sound. There are no presets on this synthesizer only relatively limitless options for discovery and exploration. I took some time to record a couple tracks in Ableton to see what the synth sounds like mixed together, and it did not disappoint!