For this video Moog Rumba I wanted to try something different then what I’ve done in the past. Recently I updated to Ableton Live 11 and I thought it would be cool to try some afro-cuban rhythms that have always been a big influence on me in music. I decided to try a rumba inspired beat on the DFAM and see how it goes, since there are only eight steps in the sequence I went with a half time version. I might try using the Mother-32 next time for the beat because it would give me more room to work with, but I figured this was a start. I’m happy with how the sound turned out the Subharmonicon, Matriarch, and Grandmother blended nicely with the other semi-modular synthesizers; it really gave the whole song a different feel. I look forward to trying more of these great rhythmic patterns in the future. Check out my other videos here!
Decided to spend my Saturday afternoon making a new song with the Moog semi-modular crew. This time I wanted to use the Matriarch for some house synth stabs. I was really happy with how the overall sound turned out the Subharmonicon is using the SEQ2 to VCO1 patch which extends SEQ 1 to 64 steps and has been a cool new functionality to explorer. The DFAM is playing the kick and snare while I have a drum rack in Ableton Live 10 playing the hihats and snare rim. Looking forward to you feedback hope you enjoy this new video!
Thought this would be a cool sound to try out with a live performance video. The Moog Minitaur was the first synthesizer I owned. When I got a Moog Sirin I thought of trying to create paraphonic sound by sending midi to both from the M-Audio midisport 4×4 interface and recording the audio. This combination created a really awesome harmonizing sound that could be modulated or tweaked. In addition I patched up my Grandmother with the semi-modular trio Moog DFAM, Subharmonicon, and Mother-32 then midi synched with Ableton Live 10. Hope you enjoy this duet as much as I do, check out some of my other videos here!
Recently, I purchased a Moog Grandmother after dreaming about owning one for years. When it was first released, there was a lot of hype about it’s capabilities, built-in arpeggiator, incredible spring reverb, and semi-modular functionality. The Grandmother was a price point accessible synthesizer for all skill levels without cutting any corners, and I’m here to say, it has really stood up to it’s reputation. At first glance you can’t miss the slick retro look and 41 patch points covering the front panel, but digging deeper you find a well crafted keyboard with great response, a sustain fader for peak control, and lots of options for creating your truly unique sound. There are no presets on this synthesizer only relatively limitless options for discovery and exploration. I took some time to record a couple tracks in Ableton to see what the synth sounds like mixed together, and it did not disappoint!