I spent my entire Sunday with the Moog Sirin limited-production synthesizer. This incredible module has a unique story it’s “The first instrument in the Taurus family to summon searing, soft, and even clangorous lead sounds with ease.” I couldn’t agree more with this, the Sirin has a truly special place in the Moog lineup and provides a compact straightforward design that makes for a enjoyable playing experience. For this video, I wanted to try a new sequence on the Mother-32 which is controlling the DFAM and Subharmonicon. The chords I chose for the sequence are actually from Fly Me To The Moon by Frank Sinatra. This progression was perfect for a 32 stepped loop I could play off of with the Subharmonicon. Add a little drum beat from the DFAM with a Sirin Solo and viola. I hope you like this video check out more of my performances here!
Thought this would be a cool sound to try out with a live performance video. The Moog Minitaur was the first synthesizer I owned. When I got a Moog Sirin I thought of trying to create paraphonic sound by sending midi to both from the M-Audio midisport 4×4 interface and recording the audio. This combination created a really awesome harmonizing sound that could be modulated or tweaked. In addition I patched up my Grandmother with the semi-modular trio Moog DFAM, Subharmonicon, and Mother-32 then midi synched with Ableton Live 10. Hope you enjoy this duet as much as I do, check out some of my other videos here!
Setup the 3-tier rack for the Moog Mother-32, Subharmonicon, and DFAM. Thought I’d make a video of my first patch with all of them linked together in their new home. Included the Minitaur for some solid bass and the Grandmother for the sweet lead line. A lot of fun for my first recording, can’t wait to make more with this improved setup.
Writing a new song using the Moog Subharmonicon and Grandmother. I watched a video from the Moog Demo Library yesterday and learned a simple patch. It allows Sequencer 2 to control Voltage Oscillator 1 in addition to Sequencer 1. This patch expands the Subharmonicon’s functionality by combing the two sequencers to control the instruments pitch. I modified it a little though by not using the eighth-note equal-tempered scale so I could pick the exact pitches I want. Also I turned both of my Sub-Oscillators to fifty percent. A patch like this is great for extending the sequencers length on the Subharmonicon, and I really enjoy what it has added to the song! If you like this video check out some of my other ones here.
Just got this amazing synthesizer from Moog and decided to take it for a spin with a little improv session enjoy!
Happy Birthday Bob Moog thank you for giving us the tools and inspiration to create beautiful music beyond our imaginations!