Thought this would be a cool sound to try out with a live performance video. The Moog Minitaur was the first synthesizer I owned. When I got a Moog Sirin I thought of trying to create paraphonic sound by sending midi to both from the M-Audio midisport 4×4 interface and recording the audio. This combination created a really awesome harmonizing sound that could be modulated or tweaked. In addition I patched up my Grandmother with the semi-modular trio Moog DFAM, Subharmonicon, and Mother-32 then midi synched with Ableton Live 10. Hope you enjoy this duet as much as I do, check out some of my other videos here!
Setup the 3-tier rack for the Moog Mother-32, Subharmonicon, and DFAM. Thought I’d make a video of my first patch with all of them linked together in their new home. Included the Minitaur for some solid bass and the Grandmother for the sweet lead line. A lot of fun for my first recording, can’t wait to make more with this improved setup.
Writing a new song using the Moog Subharmonicon and Grandmother. I watched a video from the Moog Demo Library yesterday and learned a simple patch. It allows Sequencer 2 to control Voltage Oscillator 1 in addition to Sequencer 1. This patch expands the Subharmonicon’s functionality by combing the two sequencers to control the instruments pitch. I modified it a little though by not using the eighth-note equal-tempered scale so I could pick the exact pitches I want. Also I turned both of my Sub-Oscillators to fifty percent. A patch like this is great for extending the sequencers length on the Subharmonicon, and I really enjoy what it has added to the song! If you like this video check out some of my other ones here.
Recently, I purchased a Moog Grandmother after dreaming about owning one for years. When it was first released, there was a lot of hype about it’s capabilities, built-in arpeggiator, incredible spring reverb, and semi-modular functionality. The Grandmother was a price point accessible synthesizer for all skill levels without cutting any corners, and I’m here to say, it has really stood up to it’s reputation. At first glance you can’t miss the slick retro look and 41 patch points covering the front panel, but digging deeper you find a well crafted keyboard with great response, a sustain fader for peak control, and lots of options for creating your truly unique sound. There are no presets on this synthesizer only relatively limitless options for discovery and exploration. I took some time to record a couple tracks in Ableton to see what the synth sounds like mixed together, and it did not disappoint!
I’ve been working on a new song using the Moog Sirin and wanted to share how much I enjoy this analog synthesizer. It is truly an Analog Messenger Of Joy that produces a rich, bold sound, while still being compact and portable. The Sirin’s unique voice sings over other tracks, making it a great choice for that ripping solo! There’s a common misconception that expensive hardware is better, but we shouldn’t forget about finding that sweet spot, where price and quality meet. The Moog Sirin is a great example of when a high quality analog synthesizer becomes more accessible to the average musician. I’m also thankful for the great customer support I received from Moog when I needed to install wood panels. This synth is everything I’d hoped for, and I couldn’t be happier.
Watched the Moog demo library video and recorded what I made!
Shout out to Moog for great customer service and helping install the wood panels on my Sirin happy to have it back!
Just got this amazing synthesizer from Moog and decided to take it for a spin with a little improv session enjoy!
Minitaur expanding on the Mother-32 sequence.
Moog Mother-32 sequence